Tuesday, April 11, 2006

The Bradbury Chronicles

I recently finished The Bradbury Chronicles, Sam Weller's biography of Ray Bradbury. It is the first authorized biography of this giant of American letters, and the book definitely benefits from the author's in-depth access to Bradbury and his family and friends. Sam Weller is clearly a huge fan of his subject, and he is very up front about that fact in his book. Although this adoring tone can get a little old at times, for the most part the book is a gripping, well-written account of the life of an incredible writer.

This biography reminded me of just how much I've always loved Ray Bradbury's writing style, and with the summer just around the corner, it seems a perfect time to re-read some of his classics. It also brought my attention to many Bradbury stories and books that I've never read, and I'm excited to pick them up.

However, as much as I love Ray Bradbury the writer, this book made me dislike Ray Bardbury the man. It's hard to separate the two, but throughout this biography I found myself shocked by how arrogant and petulant Bradbury seems. And Sam Weller is more than happy to encourage this attitude. Any time that someone didn't get along with Bradbury, or critics found flaws in his work, Weller acknowledges these issues, and then proceeds to make it clear that Bradbury is unquestionably correct. And to be honest, that approach is justified a lot of the time. But the problem with being told how great an author is over and over and over again is that eventually it really gets on your nerves.

Part of the reason I generally avoid biographies of my favorite artists is that they invariably disappoint me in some way. I prefer to let their work speak for them. My experience shows that truly brilliant artists, just like anyone else, tend to be balanced individuals. If they excel in one way, they are often seriously flawed in another. I think that is why so many great artists struggle with depression. They often lack the social skills that would allow them to coexist happily with others.

I think that Orson Scott Card sums it up very well on his website:

The only serious drawback in this book is the way that Bradbury's vanity is inadvertently revealed. While Weller does not exactly gush, he clearly believes that Bradbury is a "genius" and his tone is well over the line into worshipfulness.

One of the tragedies of our celebrity worship is that some "geniuses" are aware of the difference between how they are assessed by the public and what they actually deserve, and it gnaws at them; while others are blissfully unaware of any difference, and they embrace the worship of others. Bradbury seems to be in the latter category, which I suppose makes him much happier than the former sort.

'Tis but a quibble. Bradbury is the real thing: a great writer.

Word. And as a writer, Ray Bradbury is truly one of my all-time favorites.

Thursday, April 06, 2006

Gospel of Judas

Although word of the lost Gospel of Judas was first heard in the 1970's, and the actual document itself surfaced in 1983, it won't be until April 9, 2006 that we finally learn about the history and contents of this piece of scripture.

National Geographic is doing a show on the 9th that will be all about the history and restoration of this ancient piece of writing, and will include details about the story it tells. It's said to contain a completel different view of Judas Iscariot and his role in Jesus' death. However, there are some experts who aren't quite sold on this document, so I've included a couple of links to articles written recently on the subject. It's pretty interesting stuff. I can't wait to see the show, as well as the reaction that it's certain to cause.

http://www.csmonitor.com/2006/0307/p01s02-lire.html

http://www.usatoday.com/tech/science/2006-03-02-gospel-of-judas_x.htm